Deluxe:
"Baby" basically takes off where "Evil Twin" left off. Slim Shady
completely goes off with multi-syllables, punch lines, crazy flows,
shout outs... you get the picture. If you weren't sure Slim Shady was
back after the regular version of the album ended, well here he is. The
fact that this song (and really the rest of the deluxe tracks) didn't
make the album is a testament to the strength of the album.
"Desperation" is the famous Jamie N Commons feature everyone's been
waiting for. This is another song about Eminem's love life and all the
problems connected with it. Jamie N Commons' hook is devastating. It's
safe to say that Jamie and Eminem fit fairly well. This song has some
solid punchlines such as "I'm just mad the time it took to discover you
were using me for loot like I used you for looks." "Desperation" steers
clear of becoming the next "Love The Way You Lie" or "Spacebound" with
plenty of jabs at the fairer sex.
"Groundhog Day" is like a darker, nightmarish (in a good way) version of
Yellow Brick Rock. Eminem discusses moving from place to place as a
kid, discovering hip hop with Uncle Ronnie (RIP), making rap his life
goal, and teaming up with Proof (RIP as well). Eminem also discusses,
explicitly, coming up in the underground and battle hip hop scenes. The
lyricism as always is (rap) god-like. By the end of the song, it's
apparent that Eminem is one of the greatest to ever touch a mic. This is
a 100% pure hip hop track. No pop.
"Beautiful Pain" goes back to the hip hop-pop balance that Eminem toes
the entire album with a clearly pop hook by Sia. Eminem's story telling
is top notch. This is a very introspective track discussing pain and
depression. Just in case you wanted to know, Eminem is here for you!
"And I'm pulling for you to push through this feeling and with a little
time that should do the healing." This is the "Not Afraid" of The
Marshall Mathers LP 2. Hip hop purists may not appreciate it, but it is
an extremely deep track that everyone can relate to.
"Wicked Ways" returns to the Slim Shady persona. "Guess I got a way with
words, I could get away with murder." That opening line is an extremely
efficient way to explain Slim Shady. The multis on this song are
amazing. At times it seems like Eminem doesn't know how to NOT rhyme.
It's fantastic. All pop is gone again on this song, and Eminem rips hip
hop a new one. This is a great way to end the deluxe version of the
album. This song is so good that you can hear Eminem "digging his way to
hell" (which makes sense if you listen to the song). The album
officially ends with a hidden Ken Keniff skit (he's back!). Ken is
taking a piss/shit in a bathroom stall and his combination of horrible
gas and singing laced with homosexual references leads the dude in the
stall next to him to say "I know that voice," slam his stall open and
take off screaming. Ken complains about everyone leaving him and farts
one more time as the album ends. Thanks Shady.
Overall, I love this album. To me, The Eminem Show and Marshall Mathers
LP were both 9.5/10. Most of the songs on this album are 9's or 10's,
but "The Monster" is about a 6 and Survival is probably a 7.5. As a
whole, I would give the album a 9/10 (8.5 at the lowest). It's not quite
as good as The Eminem Show or original MMLP, but it may be on par with
The Slim Shady LP, and is certainly beyond the rest of his albums. I
love this album, and I'm probably going to have it on repeat for at
least a week. This album paints a picture of an older, only slightly
more mature Eminem who is extremely relate-able. It also seems to find
the perfect balance between Eminem and Slim Shady. Relapse was too much
Slim, Recovery was too much Em. MMLP2 is the right amount of each with
enough Marshall Mathers thrown in to make you feel like you know him.
Not to mention Ken Keniff is back. There have been rumors that this is
Eminem's last album, and though I hope it's not, it would be a deserving
final album.
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